Merida Faculty - January 2009: Maureen Owen
Photo by Kyran Owen-MankovichMaureen Owen, is an Irish American from Minnesota, now of Denver, Connecticut and New York.
Maureen Owen is the author of ten books of poetry:
Erosion's Pull, Coffee House Press (2006), a Colorado Book Award and Balcones Poetry Prize finalist
American Rush: Selected Poems, Talisman House, Pub. (1998), a Los Angeles Times Book Prize finalist
Untapped Maps, Potes & Poets Press (1993)
Imaginary Income, Hanging Loose Press (1992)
Amelia Earhart, Vortex Editions (1984), an American Book Award winner
Zombie Notes, Sun Press (1984)
Hearts in Space, Kulchur Press (1980)
A brass choir approaches the burial ground, Big Deal (1977)
The No-Travels Journal, Cherry Valley Editions (1975)
Country Rush, Adventures in Poetry
Maureen Owen's poetry is included in the following journals and anthologies:
On Turtle's Back, edited by Dennis Maloney, White Pine Press
New World Journal #5, edited by Bob CallahanAn Gael: Facsimile, edited by Kevin McEneaney
Goodbye to the 20th Century, edited by Andrei Codrescu and Laura Rosenthal, Four Walls Eight Windows
Up Late: American Poetry Since 1970, edited by Andrei Codrescu, Four Walls Eight Windows
Postmodern American Poetry, Norton, edited by Paul Hoover
Ladies, Start Your Engines: women writers on cars and the road, edited by Elinor Nauen, Faber & Faber
Moving Borders: Three Decades of Innovative Writing By Women, from Talisman, edited by Mary Margaret Sloan
Real Things: An Anthology of Popular Culture in American Poetry, edited by Jim Elledge and Susan Swartwout,
Indiana Univ. Press
Talisman: A Journal of Contemporary Poetry and Poetics, Maureen Owen Issue, Winter-Spring 2001
Visiting Emily: Poems Inspired by the Life and Work of Emily Dickinson,
edited by Sheila Coghill and Thom Tammaro, University of Iowa Press
The Brink: An Anthology of Postmodern Poetry 1965 to the Present, edited by Noah Hoffenberg, Yeti Books
Talking to the Sun, Selected and Introduced by Kenneth Koch and Kate Farrell,
The Metropolitan Museum of Art, Holt, Rinehart and Winston, New York, 1985
The Grand Permission: New Writings on Poetics and Motherhood, edited by Patricia Dienstfrey and Brenda
Hillman, Wesleyan University Press
She
edited Telephone Books and Telephone magazine through thirty titles of
the press and nineteen issues of the magazine to date. She has worked
at The St. Mark's Poetry Project in Manhattan, NY and served on the
Board of Directors of The Poetry Project and the Coordinating Council
of Literary Magazines - both as a member and as a Vice-Chairperson.
Maureen Owen has received a Poetry Fellowship from the NEA and has served on several state arts poetry awards panels. She was awarded a grant from the Foundation for Contemporary Performance Arts, Inc. in 1999. Her title, Amelia Earhart, won a Before Columbus American Book Award for Poetry. Her Selected Poems, American Rush, was a finalist for the L.A. Times Book Prize in April, 1999. Maureen can be heard on Rebel Poets/Worlds Made Flesh from Maya Revolutionary.
Maureen has taught a number of writing workshops, including, several at The St. Mark's Poetry Project and at St. Joseph's College in Hartford, CT. She was previously adjunct, full professor of Creative Writing at Edinboro University, Edinboro, Pennsylvania. She is a faculty member for Naropa University's Summer Writing Program. She has also been an External Examiner for Swarthmore's Honors Program. She has also served as Program Coordinator at The St. Mark's Poetry Project.
Ms. Owen currently teaches at Naropa University in Boulder, Colorado
"[Owen] has one of the most highly developed senses of humor of any poet now writing." --American Book Review
"Her exuberant style and tremendous energy shine in her strongly feminist works." -- Andrei Codrescu
On Erosion's Pull:
"Few poets examine American family life, feminism, art history, and the natural world with an underlying awareness and understanding of both Eastern and Western spirituality and thought....And even in a volume full of complicated phrasing and erudite mmoents, she can also offer the most wonderous of poet's gifts, the lyric." -- BOMB magazine
"A book of dream-like urgency, easily read in one sitting, full of unexpeccted similies and metaphors....Owen's long-lined poems convey sharp-witted realism migled with openhearted curiosity about nature, love and loss." -- Entertainment Weekly